Local Adjustments are a means for the photographer to enrich his-her images and improve their readability.

Local Adjustments are the cornerstone of some development software (e.g. Capture NX2) and, in fact, appear fundamental for some users.
PhotoLab did without it for a long time (DxO Optic pro, its precursor, did not have it). If you look closely, the algorithms used for the different global corrections apply their effects locally.


In the tutorial dedicated to beginners in digital image development, we have seen:
The user spontaneously has in mind to reinforce the presence of the subject while it is often appropriate to decrease the importance of secondary elements.
It is therefore more qualitative to optimize the image to highlight the subject before using the Local Adjustments.

See the


A Local Adjustment is performed in three steps.
1- Choose the appropriate Local Adjustment type
2- Define (or draw) the mask; the area to correct
3- Correct the local area (the masked area)


There are several modern approaches to making Local Adjustment masks. Some software editors have worked on pattern recognition, DxO has chosen the path of selection by content; by density (brightness, contrast) and color.


What type of local adjustment should I use ?

Brush- Auto Mask- Control Point – Control Line – Graduated Filter and Eraser

 DxO offers five types of Local Adjustment, each with its own field of application.

Click to enlarge – Alt+ < to return

* The Control Line is a graduated filter applied to pixels similar to the collected area.

This is the preferred all-purpose Local Adjustment. It makes a very discriminating selection according to the structure of the desired area.It is unparalleled in its ability to change the density of an area, distinguish between two close color tones, cancel out a color cast or establish the color balance of two light sources.


Click to enlarge – Alt+ < to return

* The Control Point performs retouching on pixels similar to the collected area. Inherited from Nik Collection, it has contributed to the success of PhotoLab’s Local settings. However, it is often misunderstood, and in fact, misused.
It is suitable for isolating complex shapes but not for creating a total mask (e.g. the sky).


Click to enlarge – Alt+ < to return

* The Auto Mask is used like a brush that automatically detects the edges of the subject.

It is ideal for detailing an object or isolating a face (or a person).


Click to enlarge – Alt+ < to return

* The Brush is used to paint the retouching. The outline of the mask is progressive.

It is very useful for changing the light tone.


Click to enlarge – Alt+ < to return

* The Graduated Filter simulates the effect of a graduated filter placed in front of the lens.
This basic Local Adjustment has to compete with the control line.

Sky correction is its domain.

* PhotoLab also has an eraser to modify the drawn masks.


Define a Local Adjustment

Define (or draw) the mask specifying the local area to be corrected otherwise.
– Click on the “Local Adjustments” icon in the top toolbar or the “Tool” icon in the palette to start the function
– Right Click on the image opens the Radial menu which gives access to the selection of mask type
– Choose (e.g.) the brush to create the first mask
– Paint the area to correct by holding down the mouse button
– Release the button, the marker, the mask symbol appears – The equalizer is available – see the second illustration in the next chapter

ENTER key or ESCAPE to validate the images editing and leave the functionr

See the


* Press M key/Shift+ M to see – hide the current mask
* Move the mouse cursor away
from the window to stop seeing the masks
* A button to see – hide the mask – Mac only
* The H key activates – deactivates the help panel


For high enlargement rates, panZoom (movement in the image) by click + drag is no longer available.
– Press the space bar to access it

The size of the mask creation tools is insensitive to the zoom magnification rate. The choice is:
– Enlarge the dimensions of the mask (Ctrl+ wheel) to increase the mask’s overlap area
– Zoom (wheel) to reduce it and gain precision … and the opposite

When the masks are difficult to execute, do not hesitate to multiply the Virtual Copies to mark out the realized drawing (return to this state).


Correct the masqued area

This is the purpose of Local Adjustment, which we discuss in the next chapter.

See the

tutorial “Local Retouching


TuToDxO.com – All rights reserved – tous droits réservés

«             »